Bazzell was a participant in the Director's Lab West in Pasadena and has worked as assistant director on A Moon for the Misbegotten, A Streetcar Named Desire, Copenhagen and Macbeth. As an educator, she served as advisor for UA Honors College playwriting program and has been a visiting instructor at UA School of Theatre Arts and Arizona Opera. She has directed Underneath the Lintel and Fiction for Beowulf Alley, and directed/adapted Voices From the Struggle for Primavera's 25 th Anniversary celebration. Hyde adapted by Jeffrey Hatcher, and Sherlock Holmes: The Final Adventure by Steven Dietz.
Over eight seasons with ATC, she has provided dramaturgical expertise for many shows including the world premieres of Ten Chimneys by Jeffrey Hatcher, Somebody/Nobody by Jane Martin, Dr. Jenny Bazzell (Director - Chicago) is the Literary Manager of Arizona Theatre Company.
Performances will be on July 27 - Jwith a $5 admission fee that supports ATC's Summer On Stage program.Ĭhicago is the vaudevillian song-and-dance fest that tells the story of Roxie Hart, the ordinary housewife turned femme fatale, whose moment in the spotlight burns bright for one second, before being given the hook for the next sacrificial lamb turned international celebrity. This summer's productions will be the Tony and Grammy Award-winning musical Chicago from the powerhouse team of John Kander, Fred Ebb and Bob Fosse and one of William Shakespeare's most beloved comedies, A Midsummer Night's Dream. This popular history will help to balance the image of the Wild West.ARIZONA THEATRE COMPANY ANNOUNCES SUMMER ON STAGE PERFORMANCESįorty-four high school students to appear in Chicago and A Midsummer Night's Dreamįorty-four high school students from all over Tucson and beyond will be starring in two productions as part of the Summer On Stage program on Arizona Theatre Company's mainstage at the Temple of Music and Art. Their attendance and financial support of the theater was a measure of their civic pride and social consciousness. The plays they attended reflected their social and moral values, their taste, and their worship of theatrical celebrities. These men and women spent a considerable amount of their leisure time in the theater, often as much as three nights per week.
#ARIZONA ONSTAGE PROFESSIONAL#
They built churches, founded choral societies and amateur theater troupes, and built libraries, multi-purpose halls, and "opera houses" where talented professional actors and their companies performed both the classics and contemporary melodramas, operas, minstrels shows, etc. The lawyers, judges, doctors, army officers, bankers, journalists, teachers, and businessmen and women who actually ran the towns were educated and culturally sophisticated people who yearned for the niceties of Atlantic Coast culture. They foster and perpetuate the notion that southwest mining towns in the nineteenth century were little more than battlefields and lawless dens of vice and corruption.
Most of the books that have been written about territorial Arizona and the southwest focus on the Indian Wars, outlaws, violent crimes, gambling, saloons, and bawdy houses.
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